Challenging Representation and Genre in True Crime Media

Regular price €102.99
Quantity:
Will Deliver When Available
Will Deliver When Available
14 days return policy Shipping & Delivery
activism
Category=ATMB
Category=DNXC
Category=GTC
Category=JBCT
Category=JBSF1
Category=JBSF11
Category=QDTQ
communication
community
crimology
critical media
cultural studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
femicide
feminist
forthcoming
gender
inclusion
Indigenous
injustice
jounralism studies
justice
language
law
marginalized
media studies
narratives
news discourse
podcasts
police violence
representation
rhetoric
semiotics
social media
sociopolitical framing
storytelling
survival
violations
women

Product details

  • ISBN 9781666970371
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Oct 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Contributors explore how true crime media creators and audiences can disrupt traditional approaches to storytelling in the creation, promotion, and consumption of the genre, raising critical questions about power structures including ethics, representation, and voice.

Traditional approaches to true crime narratives follow a formulaic story arc that is often exploitative in nature, typically foregrounding the lived experiences of the perpetrator and the rationalizations for their crimes and told through the lens of law enforcement. Contributors qualitatively analyze a variety of digitally mediated true crime content including news discourses, podcasts like Last Podcast on the Left, and television series like The People v. O. J. Simpson: American Crime Story to illuminate the significant limitations of this approach.

Rather than taking a negative stance, however, this volume instead emphasizes the possibilities that this genre has to offer by challenging scholars, practitioners, and educators to rethink their own place in the current landscape. How can we as creators, consumers, and critics harness true crime narratives in ways that honor victims and communities, uphold accurate and respectful representations, challenge dominant narratives within criminal justice, and ultimately transform the true crime genre through innovation?

Victoria McDermott is Assistant Professor of Communication at the University of Alaska Fairbanks, Troth Yeddha' Campus, USA.

Leandra H. Hernández is Associate Professor of Communication at the University of Utah, USA.

Amy R. May is Professor of Communication at the University of Alaska Fairbanks, Troth Yeddha' Campus, USA.