Champagne Sparkle

Regular price €122.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
19th century theatre
A01=Thomas A. Bogar
abraham lincoln
american stage
Author_Thomas A. Bogar
broadway
Category=DNBF
Category=NHK
civil war actress
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
john wilkes booth
maggie mitchell
musical comedy
shirley temple

Product details

  • ISBN 9781538143483
  • Weight: 608g
  • Dimensions: 160 x 233mm
  • Publication Date: 20 Aug 2020
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Before there was Shirley Temple or Judy Garland or Fanny Brice, before musical comedy even existed as a genre, Maggie Mitchell (1836-1918) consistently drew sold-out crowds for four decades as a musical comedy star. Admired by Abraham Lincoln as well as John Wilkes Booth, along with millions of adoring fans, both female and male, Maggie blazed across the American stage, her energy unstoppable in her signature roles: Fanchon, Little Barefoot, Pearl of Savoy, French Spy, Little Savage, and Jane Eyre. Trying to capture her appeal, reviewers exhausted their store of adjectives and metaphors, among them “vivacious,” “beautiful,” “hoydenish,” “sprightly,” “piquant,” “elfin,” “impish,” “mischievous,” “winsome,” “electric,” “versatile,” “chaste,” “a fascinating little witch,” “a materialized sunbeam” and “a champagne sparkle.” When she finally retired, one of the wealthiest actresses in the world, she left in her wake dozens of Maggie Mitchell imitators, and critics ever since have spoken of the “Maggie Mitchell style” of acting: effervescent, endearing, and eternally youthful. As an actress, a faithful wife and mother, and an icon of respectability in a field often condemned by moralists, she left a legacy of unparalleled achievement.
Thomas A. Bogar taught theatre history, dramatic literature, and theatrical production for forty years, most recently at Hood College in Frederick, Maryland, and directed over seventy theatrical productions. He is the author of Thomas Hamblin and the Bowery Theatre (Palgrave Macmillan 2018), Backstage at the Lincoln Assassination, American Presidents Attend the Theatre, and a biography of 19th-century actor-manager John E. Owens. He is the recipient of two National Endowment for the Humanities fellowships and served as a judge for Washington’s Helen Hayes Theatre Awards. He lives in Silver Spring, Maryland.

More from this author