Changing Face of Korean Cinema

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A01=Aegyung Shim
A01=Brian Yecies
Asian media alliances
Author_Aegyung Shim
Author_Brian Yecies
authoritarian era cinema
bong
Bong Joon Ho
busan
Busan International Film Festival
Category=ATF
Category=JBCT
Category=JBSL
Category=NHTB
chan-wook
Chinese Film
Chinese Film Industry
CJ Entertainment
Contemporary Korean Cinema
domestic
Domestic Film Industry
Domestic Films
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eq_history
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film
film policy analysis
films
gender roles in filmmaking
Hong Sang Soo
Im Sang Soo
industry
international
International Film Festival
joon
Kang Je Gyu
Kim Ki Duk
Kim Young Sam
Korean Film
Korean Film Archive
Korean Film Industry
Korean film industry transformation
Korean Filmmakers
Korean Practitioners
park
Park Chan Wook
Screen Quota System
Shaw Brothers
Shin Film
South Korean film industry
transnational film studies
Women Filmmakers
Young Man

Product details

  • ISBN 9781138609068
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history which runs parallel to the nation’s political, social, economic and cultural transformation during these formative periods.

This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the 21st century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds, and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, and especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung-hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s professionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions between film policy, producing, directing, genre, and the internationalization of Korean cinema over half a century.

By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of ‘Planet Hallyuwood’. It will be of particular interest to students and scholars of Korean Studies and Film Studies.

Brian Yecies is a Senior Lecturer in Cultural Studies at the University of Wollongong, Australia.

Aegyung Shim is a past Korea Foundation Postdoctoral Research Fellow at the Institute for Social Transformation Research (ISTR) at the University of Wollongong, Australia.

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