Channel 4

Regular price €87.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Maggie Brown
Age Group_Uncategorized
Age Group_Uncategorized
Author_Maggie Brown
automatic-update
Category1=Non-Fiction
Category=APT
Category=ATJ
Category=JBCC1
Category=JBCT
Category=JFCA
Category=JFD
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9781911239833
  • Weight: 660g
  • Dimensions: 162 x 236mm
  • Publication Date: 17 Jun 2021
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book covers a dramatic decade in the fortunes of Britain’s quirkiest broadcaster. It opens in 2009, with the realisation that Channel 4’s biggest money spinner, Big Brother, had become a toxic asset and would have to be discarded, at the same time as advertising revenues were shrinking in the wake of the 2008 financial crash.

Maggie Brown’s compelling narrative, which draws on interviews with key players in Channel 4’s story and unique access to the broadcaster’s archives, takes us inside the boardroom battles, changes in senior management and commissioning teams, interventions by the media regulator Ofcom, and the channel’s response to a rapidly-changing media and political landscape. Brown describes how the channel, under its new chief executive David Abraham, successfully fought off the threat of privatisation, which became a reality after the Conservatives’ general election victory in 2015. The price for remaining publicly funded was a substantial relocation of Channel 4’s operations, with Leeds announced in 2018 as a new ‘regional hub’.

The Channel 4 story is also one of ambitious and innovative programming, with a new director of content, Jay Hunt, instigating radical changes in commissioning and scheduling. Brown traces programming hits and losses during this period, with the departure to competitors of celebrity chefs, Black Mirror and Charlie Brooker, horse racing and Formula 1, and a reappraisal of the remit of institutions such as Channel 4 News and Film 4. But there were successes too, with the 2012 Paralympics helping to restore a public service sheen, and new programmes such as Gogglebox in 2013 connecting with younger audiences, and, in 2016, the coup of taking The Great British Bake Off from its home at the BBC.

Maggie Brown is one of the UK’s leading media writers. Her career includes working and contributing to The Guardian and Observer, helping to launch The Independent as its first media editor in 1986 and writing A Licence to be Different: The Story of Channel 4, published in 2007, the history of its first 25 years. She has a degree in history from Bristol University and an MA in journalism from Cardiff University where she studied under Sir Tom Hopkinson before training on the Birmingham Post & Mail. She is married, has four children, and lives in Dulwich, London and Wales.

More from this author