Character and the Supernatural in Shakespeare and Achebe

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A01=Kenneth Usongo
Achebe's Novels
Achebe’s Novels
Author_Kenneth Usongo
Category=DDA
Category=DS
Category=DSA
Category=FL
Chief Priest
Chinua Achebe
Colonial Administration
comparative literature theory
cultural dispensations
Earth Goddess
Elizabethan beliefs
eq_bestseller
eq_biography-true-stories
eq_fiction
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_science-fiction
Igbo cultural studies
Kola Nut
literary character psychology
modern civilization
New Historicism
Obi Okonkwo
Richard III
Royal Python
Sacred Python
Shakespeare's Mature Tragedies
Shakespeare's Tragic Heroes
Shakespeare’s Mature Tragedies
Shakespeare’s Tragic Heroes
Super Nature
supernatural devices
supernatural influence on protagonists
Things Fall
Traditional African Religions
Traditional Igbo
Traditional Igbo Society
Traditional Priests
tragic flaw analysis
Tragic Flaws
Vice Versa
Weird Sisters
White Head
William Shakespeare
Witch Suspects
Yam Festival
Young Men

Product details

  • ISBN 9780367710774
  • Weight: 360g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Through mainly a New Historicist critical approach, this book explores how Shakespeare and Achebe employ supernatural devices such as prophecies, dreams, gods/goddesses, beliefs, and divinations to create complex characters. Even though these features indicate the preponderance of the belief in the supernatural by some people of the Elizabethan, Jacobean, and traditional Igbo societies, Shakespeare and Achebe primarily use the supernatural to represent the states of mind of their protagonists. Both writers appropriate supernatural features to mirror tragic flaws such as ambition, arrogance, impulsiveness, and fear that contribute to the downfall of Macbeth, Lear, Okonkwo, and Ezeulu. We relate to some of these characters because they project our inner minds, principal drives that may be hidden within us. Therefore, Shakespeare and Achebe’s preoccupation with the supernatural adds subtlety to their characterization and enhances their readability by situating their art beyond time, place, or particularity.

Kenneth Usongo received a PhD in comparative literature from the University of Denver, USA, and a doctorate in English literary studies from the University of Yaoundé 1, Cameroon. He is the author of Politics and Romance in Shakespeare’s Four Great Tragedies and Art and Political Thought in Bole Butake.

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