Charles Avison's Essay on Musical Expression

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Accidental Subject
Alla Breve Time
ancient versus modern music
Assembly Room
Avison's Essay
Avison’s Essay
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Composer's Design
Composer’s Design
Critical Enquirer
Dans Ce
Dear Sir
Delicate Ionic
eighteenth-century theory
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Full Anthems
Handel's Music
Handel’s Music
harmony and melody
Harpsichord Op
Heinsius
historical debate on musical criticism
Home Town
John Marsh
listener response
music aesthetics
Music Call
Musical Expression
Natural Beauty
performance practice
R Ameau
Rameau's Theory
Rameau’s Theory
Tasto Solo
Tenor Violins
True Musical Expression
Vice Versa
Young Men

Product details

  • ISBN 9780754634607
  • Weight: 521g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Jun 2004
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
Pierre Dubois, University of Paris IV-Sorbonne, France