Charlie Morphs Into a Mammoth
The third hilarious adventure for Charlie McGuffin, the boy who changes into animals when he gets nervous.
Charlie McGuffin is an actual superhero. He's gained control over his wacky ability to change into animals - he's even able to use it to turn the tables on school bully Dylan.
But there are some things Charlie can't control, like the arguments his parents keep having (which are making him more worried than ever) or the mysterious animal disappearances spreading through town (which might be connected to Charlie himself).
Can Charlie unravel the mystery of the pet-nappings before his biggest secret is revealed to the world...?
Praise for Charlie Changes into a Chicken:
'My body couldn't help but shake with laughter' Maren, age 10
'Belly-busting hilarity' The Guardian
'Cleverly daft storytelling at its very, very best' Maz Evans, author of Who Let The Gods Out?
'The best kind of silly' The Observer
Charlie Changes into a Chicken has been:
Shortlisted for the Waterstones Children's Book Prize!
Longlisted for the Brandford Boase Award!
Longlisted for the Blue Peter Award!
The Guardian and The Telegraph's Book of the Year!
Sam Copeland (Author)
Sam Copeland is an author, which has come as something of a surprise to him. He is from Manchester and now lives in London with two smelly cats, three smelly children and one relatively clean-smelling wife.
He is the author of the bestselling Charlie Changes Into a Chicken series (the first book of which was shortlisted for the Waterstones Children's Book Prize), Uma and the Answer to Absolutely Everything and Greta and the Ghost Hunters. With Jenny Pearson, he has also written Tuchus & Topps Investigate: The Underpants of Chaos and Tuchus & Topps Investigate: The Attack of the Robot Librarians.
Despite legal threats, he refuses to stop writing.
Sarah Horne (Illustrator)
Sarah Horne has been an illustrator for over fifteen years, she started her career working for newspapers such as the Guardian and the Independent On Sunday and has since illustrated many funny young fiction titles.
She works traditionally with a dip pen and Indian ink, and finishes the work digitally.