Charting the Afrofuturist Imaginary in African American Art

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A01=Elizabeth Carmel Hamilton
Africa
African American
African American Art
African American artists
Afrofuturism
Afrofuturism black women's imagery
Age Group_Uncategorized
Age Group_Uncategorized
agency
Alison Saar
art history
Aunt Jemima
Author_Elizabeth Carmel Hamilton
automatic-update
Black
Black Arts Movement
Black Female
Black Female Body
Black Female Identity
Black Feminist
black feminist theory
black women
Black Women Artists
Black Women's Hair
body
Category1=Non-Fiction
Category=AC
Category=AGA
COP=United Kingdom
Dawolu Jabari Anderson
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diaspora
Enslaved People
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erykah Badu
fantasy
feminist
futurism
gender representation art
Haile Gerima
Harriet Powers
Heroic Possibility
Janelle Monae
Kara Walker
Language_English
liberation
liberation aesthetics
Mammy Figure
Mammy Image
Mammy Stereotype
marginalization
materiality in art
Mequitta Ahuja
Neo-slave Narrative
Octavia Butler
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Pancake Mix
Pierre Bennu
Price_€100 and above
PS=Active
racism
Renee Cox
Robert Pruitt
Sanford Biggers
sexism
slavery
softlaunch
Space Paintings
Sun Ra
Swing Low
technology
theory
United States
Unreal Estate
visual culture studies
women

Product details

  • ISBN 9780367689063
  • Weight: 470g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States.

This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States.

The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.

Elizabeth Carmel Hamilton is an Assistant Professor in the Department of Culture and Communications at Fort Valley State University.

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