Chaucerian Fiction

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A01=Robert B. Burlin
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Allegory
Antithesis
Aphorism
Archetype
Author_Robert B. Burlin
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Breton lai
Category1=Non-Fiction
Category=DSC
Category=DSK
Chaucer's Retraction
Classicism
Conflation
COP=United States
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English poetry
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eq_biography-true-stories
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Etymology
Excursus
Fabliau
Falsity
Fiction
Flattery
Giovanni Boccaccio
Gluttony
Gordian Knot
Gullibility
Hyperbole
Hypocrisy
Irony
Jeremiad
Language_English
Literary fiction
Macrobius
Martianus Capella
Melodrama
Metonymy
Miasma (Greek mythology)
Mortal sin
Narrative
Opportunism
PA=Temporarily unavailable
Pandarus
Parody
Philosophical fiction
Philosophy
Pity
Platitude
Poetry
Price_€20 to €50
PS=Active
Quibble (plot device)
Ridicule
Romanticism
Satire
Scholasticism
Self-deception
Sententiae
Sentimental comedy
Sentimentality
Seriousness
Simile
softlaunch
Sophistication
Superiority (short story)
The Discarded Image
The Dream of Scipio (novel)
The Franklin's Tale
The House of Fame
The Knight's Tale
The Legend of Good Women
The Merchant's Tale
The Narrator
The Nun's Priest's Tale
The Philosopher
The Prioress's Tale
The Summoner's Tale
The Wife of Bath's Tale
Thomas Aquinas
Troilus
Troilus and Criseyde
Trojan War
Unstated assumption

Product details

  • ISBN 9780691606729
  • Weight: 425g
  • Dimensions: 152 x 235mm
  • Publication Date: 08 Mar 2015
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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By analyzing Chaucer's major poetic works, Robert Burlin succeeds in isolating thematic undercurrents with a bearing on the poet's process of composition. He is thus able to relate individual poems to Chaucer's view of himself as a writer, and to assess the internal evidence for a Chaucerian theory of fiction. Professor Burlin contends that a logic underlies Chaucer's aesthetic assumptions whose imaginative configuration appears both simple and inevitable in the context of his poetic development. The author first explores possible antecedents for the terms "experience" and auctoritee, and shows that this common antinomy provides the basis for dividing the poems into three groups. In the "poetic fictions," Chaucer speculates on the value of poetic activity, on the sources of its affect, and on its validity as a means of apprehension. The "philosophic fictions" concentrate on the epistemological aspect of literary activity. In a final group of poems, termed "psychological fictions," the poet explores the speaker's unspoken motives, as well as his pronounced intentions, in telling a tale. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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