Chaucer's Troilus and Criseyde

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13th century literature
14th century literature
A01=C. David Benson
Author_C. David Benson
Boccaccio
Boccaccio influence
Boccaccio's Filostrato
Book III
Category=DSBB
Category=DSC
chaucer religion
Chaucer's Earlier Poems
Chaucer's Pandarus
Chaucer's Poem
Chaucer's Troilus
Chaucer’s Earlier Poems
Chaucer’s Pandarus
Chaucer’s Poem
Chaucer’s Troilus
chivalric romance studies
Christian Element
Cresseid
Cressida
Criseyde Chaucer
Dante's Vita Nuova
Dante’s Vita Nuova
David's Son
David’s Son
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Filostrato
Fourteenth Century London
Genealogia Deorum Gentilium
geoffrey chaucer
Giovane Donna
Greek Camp
Guido Delle Colonne
Human Suffering
Indian record
Knight's Tale
Knight’s Tale
Lady Philosophy
literary genre hybridity
lyric poetry
medieval English literature
medieval literature
medieval love narratives
medieval poetry
middle english literature
Middle English Metrical Romances
narrative poem
narrative poetry
narrative poetry analysis
Nun's Priest's Tale
Nun’s Priest’s Tale
physical love
poem love
reader response in medieval poetry
troilus and criseyde
Trojan Royal Family
trojan war
Troy
Usual Censure
Wynkyn De Worde
Young Man

Product details

  • ISBN 9780367357429
  • Weight: 285g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Feb 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1990. This study is of one of the world’s great narrative poems and one of the few long poems in English about physical love. Although this work is often overshadowed by the Canterbury Tales, the author argues that it has its own profound multiplicity. Its mixture of genres, styles, characters and other competing elements creates a powerful literary experience for each reader. This book explores the diversity and contradictions produced by the poem without attempting to resolve them. It is accessible to those reading the poem for the first time, but equally stimulating to those who know it well, stressing the importance of the role of individual readers in response to the openness of the poem.

Although previous criticism tends to emphasize one or two aspects while ignoring others, Benson argues all critical readings are of interest because they make one aware of the poem’s many contrasting layers and possibilities. Beginning with the principal source, Boccaccio’s Filostrato, the work examines the many different elements added to this source; which contains internal tensions and thus develops Boccaccio’s story in a variety of often contradictory directions. The author considers Chaucer’s treatment of setting, characterization, love, fortune and religion, showing how these affect the character of the poem and make it simultaneously more chivalric and comic, more Christian and more pagan.

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