Children Of Silence

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A01=Michael Wood
anthology
art history
arts
Author_Michael Wood
british history
Category=DNL
Category=DSBH
Category=DSK
cinema
collection
craft
deconstructed a non-fiction
distopian non-fiction
education
english literature
entertainment
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essays
feminism
film
germany
impressionism
journalism
letters
literary
milton paradise lost
modernists and mavericks
movies
philosophy
pop culture
science fiction
terror
theatre
translation
westerns
writing

Product details

  • ISBN 9780712673563
  • Weight: 344g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 May 1998
  • Publisher: Vintage
  • Publication City/Country: GB
  • Product Form: Paperback
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In this absorbing series of essays Michael Wood probes and plays with the dilemmas of twentieth century fiction - the myth of lost paradise, lost certainties, the suspension between contrary ideals, the lure of fantasy, the quest for the silence beneath speech. Wood's net is cast wide, from fables to novels, and he takes due account of personal and political context and of wider cultural and critical currents, noting fiction's swerving resistance to `history'. A superb essay on Roland Barthes is juxtaposed with a dissection of Beckett's prose comedy; an investigation of three Cuban writers -Cortazar, Cabrera Infante and Arenas - is followed by illuminating essays on Milan Kundera and Italo Calvino. In the second half of the book, the exploration of time, form and fantasy, and of the break with modernism, continues in studies of Garcia Marquez, Toni Morrison, Angela Carter, Kazuo Ishiguro, Salman Rushdie, Paul Auster and Jeanette Winterson. Rich with pleasures, spiked with insights, provocative and satisfying, this is one of the most exciting explorations of contemporary literature in recent years.
Michael Wood is the author of Stendhal, America in the Movies, Garcia Marquez: One Hundred Years of Solitude and The Magician's Doubts: Nabokov and the Risks of Fiction (also available in Pimlico). He writes film and literary criticism for the London Review of Books, the New York Times Book Review and other publications. He studied Modern Languages at St John's College, Cambridge, where he was later a Fellow. He taught for along time at Columbia University in New York and then at the University of Exeter. He is currently Professor of English at Princeton University. He is a Fellow of the Royal Society of Literature.

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