Children's Culture and the Avant-Garde

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A01=Marilynn Strasser Olson
Ambroise Vollard
Animal Kingdom
Artist's Breaking
Artist's Models
Artist’s Breaking
Artist’s Models
Author_Marilynn Strasser Olson
Category=AB
Category=AGA
Category=DSB
Category=DSY
Chagall
Chagall's Paintings
Chagall's Work
Chagall’s Paintings
Chagall’s Work
childhood representation
childlike vision in modernism
childrens
Dead Man
decadence movement
dolls
douglas
dutch
Dutch Dolls
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fox Hunt
Gauguin
grotesque in art
international artistic styles
james
Jungle Pictures
kate
La Farge
Leo Lionni
modernist art theory
modersohn-becker
Nineteenth Century Children's Literature
Nineteenth Century Children’s Literature
Paul Gauguin
paula
Round Window
Rousseau's Jungle
Rousseau's Paintings
Rousseau's Work
Rousseau’s Jungle
Rousseau’s Paintings
Rousseau’s Work
Seventeenth Century Spanish Painter
Velveteen Rabbit
Vincent Van Gogh
visual culture studies
Wandering Jew
whistler
wiggin
Young Man

Product details

  • ISBN 9780415872683
  • Weight: 620g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Aug 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume explores the mutual influences between children’s literature and the avant-garde. Olson places particular focus on fin-de-siècle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children’s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children’s culture. These artists turned to children’s culture as a "new way of seeing," allied to a contemporary interest in international artistic styles. Children’s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision.

This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children’s literature to fin-de-siècle artistic trends. Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson’s unique focus covers new ground by concentrating not simply on children's literature, but on how childhood experiences and culture figure in art.

Marilynn Strasser Olson is Professor of English at Texas State University, San Marcos, US. She is the author of Ellen Raskin (1991) and was an editor of Children’s Literature Association Quarterly from 1991–2000.

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