China in the Age of Global Capitalism

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A01=Xiaoping Wang
accelerated globalization
Allegory
Author_Xiaoping Wang
Bar Girl
Bosom Friends
capitalism
Category=ATFB
China
Chinese social transformation
Contemporary China
Contemporary Society
cultural politics China
Cultural studies
cultural-political notions
Developmentalist Mentality
Du Yuesheng
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eventful Era
film narrative analysis
globalisation impact on Chinese cinema
Globalization
Great Divide
Jia Zhangke
Jia Zhangke's Cinema
Jia Zhangke’s Cinema
Jia's featured films
Jia's Films
Jia’s Films
Krzysztof Kieslowski
Mao's Wife Jiang Qing
Mao’s Wife Jiang Qing
Model Entrepreneur
National People's Congress
National People’s Congress
Neoliberalism
neoliberalism studies
Nuptial Gift
Petro China
political unconscious theory
Pop Star
post-socialist society
Postsocialism
Sixth Generation Directors
Sixth Generation Filmmakers
Troupe Members
Tv News Program
Unknown Pleasures
Water Margin
Xiao Ji
Yangtze River

Product details

  • ISBN 9780367367794
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Jia Zhangke is praised as “the most internationally prominent and celebrated figure of the Six-Generation of Chinese filmmakers”. This book provides an examination the content and forms of Jia’s featured films and analyzes their merits and faults.

Jia’s films often narrate the lives of ordinary Chinese people against the backdrop of the political-economic changes. The author conducts an in-depth analysis of how this change have ferociously impinged upon the characters’ living conditions since China integrated itself with the world economy in the high tide of accelerated globalization since the 1970s. The author focuses on discussing the “politics of dignity” expressed by Jia’s allegorical renditions to explore the director’s political unconsciousness and cultural-political notions.

This book maps ten of Jia Zhangke’s films onto three major themes: Jia’s filmmaking and China in the market society; truth claims and political unconscious; “post-socialist modernity” in the age of globalization. This book will be of interest to students and scholars of Chinese film studies, as well as other disciplines, such as political science, sociology, anthropology, etc.

Xiaoping Wang is Chair Professor of Chinese studies at Huaqiao University and adjunct professor of the Institute of Arts and Humanities at Shanghai Jiaotong University. His research interests include modern and contemporary Chinese literature, culture and critical theory.

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