China’s Digital Presence in the Asia-Pacific

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A01=Elaine J. Zhao
A01=Haiqing Yu
A01=Michael Keane
A01=Susan Leong
Author_Elaine J. Zhao
Author_Haiqing Yu
Author_Michael Keane
Author_Susan Leong
Category=JBCC1
Category=JBCT
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Media Studies
Social science
Technology studies

Product details

  • ISBN 9781785276224
  • Weight: 454g
  • Dimensions: 153 x 229mm
  • Publication Date: 15 Dec 2020
  • Publisher: Anthem Press
  • Publication City/Country: GB
  • Product Form: Hardback
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China’s Digital Presence in the Asia-Pacific explores China’s digital presence in the Asia-Pacific region. Drawing on political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China’s commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government supported media. It illustrates how these platforms are contributing to Chinese cultural influence, their perceived reputation and obstacles in the region while pursuing a combined approach of culture+, industry+, internet+, and platform+.

In considering the multi-layered rise of the China argument, the book considers its growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region and adding to its cultural (and soft) power. The book focuses on six locations: Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. The authors analyse Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms, as well as examining consumer perceptions of China and Chinese products in the Asia-Pacific region. 

In using the + characterizations, the authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan.

Michael Keane is Professor of Chinese Media, School of Media, Creative Arts and Social Inquiry, Curtin University, Australia.

Haiqing Yu is Associate Professor and Vice-Chancellor’s Principal Research Fellow, School of Media and Communication, RMIT University Australia.

Elaine Jing Zhao is Senior Lecturer, School of the Arts and Media, University of New South Wales, Australia.

Susan Leong is Senior Lecturer, Digital Media and Communication, School of Arts and Social Sciences, Monash University Malaysia.

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