China's Avant-Garde, 1978–2018

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Artist's Visual Interpretation
Asia Scene
avant-garde cultural production China
Banned Book
Beijing Municipal Public Security Bureau
Body Art
Category=AGA
Category=NHF
ceramic art research
Chinese Contemporary Art
Chinese Government
Chinese Logograph
Clay Slip
contemporary Chinese art
Contemporary Chinese Poetry
Dai Jinhua
digital censorship resistance
Dragon Kiln
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental poetry analysis
Fossil Book
Gaige Kaifang
Gao Xingjian
Ge Fei
Han Dynasty Urn
Han Shaogong
Harmonious Society
non-Han Cultures
Postsocialist Era
Qiu Zhijie
queer theory China
Tibetan Culture
transcultural literary studies
Women's Poetry
Young Man

Product details

  • ISBN 9781032332932
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines how China’s new generation of avant-garde writers and artists are pushing the boundaries of vernacular culture, creatively appropriating artistic and literary languages from global cultures to reflect on reform-era China’s transformation and the Maoist heritage. It explores the vortex of cultural change from the launch of Deng Xiaoping’s reforms in 1978 to Xi Jinping establishing his leadership for life in 2018. The book argues that China’s new avant-garde adopt transcultural forms of expression while challenging the official discourse of Xi Jinping’s regime, which promotes cultural nationalism and demands that cultural production in China embodies the essence of the "Chinese nation". The topics range from body art, women’s poetry and boys’ love literature to Tibetan fiction and ceramic art. The book shows how the avant-garde use the new digital media to bypass government censorship, transcending China’s virtual frontiers while breaking new ground for an emerging public sphere. Overall, the book provides a rich picture of the nature of China’s avant-garde art and literature and the challenges it poses for the Chinese government.

The introduction and chapter 10 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Daria Berg is Chair Professor of Chinese Culture and Society at the University of St. Gallen, Switzerland, and Head of the Centre for Intercultural Competence at the St. Gallen Institute of Management in Asia, Singapore.

Giorgio Strafella is Assistant Professor in the Department of Asian Studies, and Senior Researcher in the "Sinophone Borderlands" project at Palacký University Olomouc, Czech Republic.