Chinese Animated Film and Ideology, 1940s-1970s

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8th Route Army
A01=Olga Bobrowska
Animated Film
Animation
animation studies
Asian popular culture
Author_Olga Bobrowska
Category=A
Category=AB
Category=UGN
Category=UY
Chinese Animated
Chinese Animated Film
Chinese Animated Fim and Ideology
Chinese Animation
Chinese area studies
Chinese mass culture
Chinese philology
Chinese puppet film propaganda
Chinese Youth Party
Cold War media history
cultural policy China
Cultural Revolution Period
Dominant Doctrine
Emperor's Dream
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film studies
Hai Rui
Jiang Qing
Jin Xi
Mao Zedong
Mao Zedong Thought
Maoist
Maoist doctrine
National Salvation Movement
political messaging art
Princess Iron Fan
propaganda animation analysis
puppet animation filmmaking
Puppet Film
Puppet Films
Red Guards
Revolutionary Romanticism
Rooster Crows
Rooster Crows at Midnight
SAFS
Seventh Cadre School
Shanghai Animation Film Studio
socialist realism cinema
The Emperor's Dream
The Little 8th Route Army (1973)
visual ideology studies
Wan Laiming
Wanderings of Sanmao
Yuan Muzhi

Product details

  • ISBN 9781032148892
  • Weight: 340g
  • Dimensions: 138 x 216mm
  • Publication Date: 24 Oct 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines animated propaganda produced in mainland China from the 1940s to the 1970s. The analyses of four puppet films demonstrate how animation and Maoist doctrine became tightly but dynamically entangled.

The book firstly contextualizes the production conditions and ideological contents of The Emperor’s Dream (1947), the first puppet film made at the Northeast Film Studio in Changchun. It then examines the artistic, intellectual, and ideological backbone of the puppet film Wanderings of Sanmao (1958). The book presents the means and methods applied in puppet animation filmmaking that complied with the ideological principles established by the radical supporters of Mao Zedong in the first half of the 1960s, discussing Rooster Crows at Midnight (1964). The final chapter discusses The Little 8th Route Army (1973), created by You Lei in the midst of the Cultural Revolution.

This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.

Olga Bobrowska is a scholar active in the fields of animation studies, film studies and cultural theory, as well as a film culture activist and curator.

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