Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain

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A01=Helen Glaister
agent
Anglo-Jewish Elite
architect
auctioneer
Author_Helen Glaister
Basil Ionides
bequest
Blanc De Chine
British interior design scholarship
Burlington Fine Arts Club
Buxted Park
Category=AGC
Category=NHTB
Category=WCNC
ceramics
China
Chinese Art Objects
Chinese Art World
Chinese Ceramics
Chinese Export Porcelain
Chinese Porcelain
Chinese Wallpaper
chinoiserie
Chinoiserie Style
collections
Country Life Magazine
cross-cultural exchange
dealer
decorative arts
decorative arts history
decorator
display
elite
England
English Country House
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
European porcelain collecting
fashion
HEIC
Honourable East India Company
identity
identity formation
Ionides Collection
Jewish
Jewish East End
John Sparks
Lord Bearsted
material culture
material culture studies
museum
Museum Boijmans Van Beuningen
museum studies
Nellie Ionides
Oriental Ceramic Society
Overglaze Enamels
patron
porcelain
Porcelain Figurines
RIBA Collection
Sir Philip Sassoon
taste
Underglaze Blue Decoration
United Kingdom
Upton House
Viscount Bearsted
World War II
Young Man

Product details

  • ISBN 9781032135403
  • Weight: 553g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War.

The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors.

The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.

Helen Glaister, PhD, is the Course Director of the Arts of Asia Programme, Victoria and Albert Museum (V&A), London, UK.

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