Chinese Documentaries

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A01=Yingchi Chu
AntiRightist Movement
Author_Yingchi Chu
Category=ATF
Category=GTM
Category=JBCT
Category=NH
Chinese Communist Party
Chinese Documentary
Chinese Film
Chinese Filmmakers
Chinese Government
Chinese television history
cinema
citizenship
Citizenship Education
Compilation Films
documentary
Documentary Cinema
Documentary Filmmaking
Documentary Television Programmes
dogmatic
Dogmatic Formula
Dr Sun
Dr Sun Yat Sen
education
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnographic Film
ethnographic filmmaking
Fake Medicine
fiction
film
filmmaking
Independent Documentary Filmmaking
Legal Report
Li Minwei
media studies
mode
modes
nationalism media
News Documentaries
Potala Palace
propaganda analysis
public discourse China
Public Media Sphere
state media influence on society
Television Law Programmes
Yamagata International Documentary Film Festival
Young Man

Product details

  • ISBN 9780415375702
  • Weight: 635g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Jun 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.

Yingchi Chu is a Senior Lecturer in Media Studies at Murdoch University, Western Australia. She has published journals and book chapters on Chinese media, and is the author of Hong Kong Cinema: Coloniser, Motherland and Self (2003).

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