Chinese Fans of Japanese and Korean Pop Culture

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A01=Lu Chen
Alternative Historical Narratives
anti-Korean Sentiment
Author_Lu Chen
Category=JBCC1
Category=JHB
Category=JPS
CCP Leadership
Celebrity
Central Propaganda Department
Chinese Fans
Chinese Government
Chinese Online Community
Consumerism
Cultural Appropriation
cultural identity formation
Culture Market
East Asian media studies
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fan Labor
Fen Qings
Foreign Cultural Products
Foreign Popular Culture
Hallyu Fan
Japanese Popular Culture
Korean Cultural Products
Korean Dramas
Korean Pop Culture
Korean Pop Stars
Korean Popular Culture
Korean Television Dramas
National Myth
Nationalism
nationalism and pop culture reception
Offline Fans
online fan communities
Online Public Sphere
Patriotic
patriotic education impact
Pop Stars
Popular Culture
qualitative audience research
Soft Power Contest
Tieba Forums
Transnational Cultural Flows
transnational fandom

Product details

  • ISBN 9781138219694
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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How can Japanese popular culture gain numerous fans in China, despite pervasive anti-Japanese sentiment? How is it that there’s such a strong anti-Korean sentiment in Chinese online fan communities when the official Sino-Korean relationship is quite stable before 2016? Avid fans in China are raising hundreds of thousands of dollars in funding to make gifts to their idols in foreign countries. Tabloid reports on Japanese and Korean celebrities have been known to trigger nationalist protests in China. So, what is the relationship between Chinese fandom of Japanese and Korean popular culture and nationalist sentiment among Chinese youth?

Chen discusses how Chinese fans of Japanese and Korean popular culture have formed their own nationalistic discourse since the 1990s. She argues that, as nationalism is constructed from various entangled ideologies, narratives, myths and collective memories, popular culture simply becomes another resource for the construction of nationalism. Fans thus actively select, interpret and reproduce the content of cultural products to suit their own ends. Unlike existing works, which focus on the content of transnational cultural flows in East Asia, this book focuses on the reception and interpretation of the Chinese audience.

Lu Chen assistant professor in the Faculty of Journalism and Communication, Guangzhou University, China.

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