Chinese Film in the Twenty-First Century

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Cel Animation
Chinese Animation
chinese cinema
Chinese cinema studies
Chinese Documentary
Chinese Documentary Film Movement
chinese film
Chinese Film Industry
Chinese Film Scholarship
Chinese Film Studies
cinema
Contemporary Animation
contemporary Chinese film analysis
documentary filmmaking
Duan Jinchuan
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eq_bestseller
eq_history
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eq_nobargain
eq_non-fiction
eq_society-politics
ethnic minority representation
Film Noir
genre transformation
Great Famine
independent filmmakers
intermedia
intermediality in film
Jia Zhangke
Jia Zhangke's Films
Jia Zhangke’s Films
Long Shots
Mainland Film
Nottingham Ningbo China
Traditional Chinese Painting
twenty first century
Wang Xiaoshuai
White Snake
Wu Wenguang
Xie Yi
Yi Jing
Young Man

Product details

  • ISBN 9781032443430
  • Weight: 390g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jan 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines Chinese film in the twenty-first century. Organized around the themes "movements," "genres," and "intermedia," it reflects on how Chinese cinema has changed, adapted, and evolved over past decades and prognosticates as to its future trajectories. It considers how established film genres in China have adapted and transformed themselves, and discusses current shifts in documentary filmmaking, the ethos and practices of "grassroots intellectual" independent filmmakers, and the adaption of foreign film genres to serve the ideological and political needs of the present. It also explores how film is drawing on the socio-historical and political contexts of the past to create new cinematic discourses and the ways film is providing a voice to previously marginalised ethnic groups. In addition, the book analyses the influences of past aesthetic traditions on the creative and artistic expressions of twenty-first-century films and cinema’s relation to other media forms, including folktales, moving image installations, architecture, and painting. Throughout, the book assesses how Chinese films have been conceptualized, examined, and communicated domestically and abroad and emphasizes the importance of new directions in Chinese film, thus highlighting the plurality, vitality, and hybridity of Chinese cinema in the twenty-first century.

Chapter 10 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Corey Schultz is Associate Professor at the University of Nottingham Ningbo China.

Cecília Mello is Professor at the University of São Paulo, Brazil.