Chinese-Islamic Works of Art, 1644–1912

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A01=Emily Byrne Curtis
Amber Colored Glass
Arabic calligraphy fusion
Arabic Inscriptions
Author_Emily Byrne Curtis
Beijing Palace Museum
Blanc De Chine
Category=AGA
Chinese Muslim artisans
cloisonne enamel wares
cross-cultural artistic exchange
Eastern Jin Dynasty
Enamel Colors
Enamel Fragment
Enamel Wares
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Islamic decorative arts
Islamic Glass
Islamic influence on Chinese glassware
Kangxi Period
Le Vert
Magic Square
Main Frame
Mosque Lamp
Orchid Pavilion
Overglaze Enamels
Qianlong Period
Qing dynasty material culture
Qing Dynasty's Chinese glasses
religious iconography studies
Ruby Glass
seventeenth century Chinese-Islamic art
Snuff Bottle
Song Chi
Underglaze Blue
Wang Xizhi
Wang Zhengting
Yongzheng Period
Yuan Shikai

Product details

  • ISBN 9781472427106
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 13 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader’s attention several new areas for consideration.

The book examines glass wares which were probably made for a local Chinese-Muslim clientele, illustrating a fascinating mixture of traditional Chinese and Muslim craft traditions. While the inscriptions on them can be related directly to the mosque lamps of the Arab world, their form and style of decoration is characteristically that of Han Chinese. Several contemporary Chinese Muslim artists have succeeded in developing a unique fusion of calligraphic styles from both cultures. Other works examined include enamels, porcelains, and interior painted snuff bottles, with emphasis on either those with Arabic inscriptions, or on works by Chinese Muslim artists. The book includes a chapter written by Dr. Shelly Xue and an addendum written by Dr. Riccardo Joppert.

This book will appeal to scholars working in art history, religious studies, Chinese studies, Chinese history, religious history, and material culture.

Emily Byrne Curtis is an independent scholar. She is the author of Glass Exchange between Europe and China, 1550-1800: Diplomatic, Mercantile, and Technological Interactions(Routledge 2009).

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