Chinese Television and National Identity Construction

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A01=Lauren Gorfinkel
Author_Lauren Gorfinkel
Category=JBCC
Category=JBCT
Category=JBSL
CCP Red Army
Central People's Broadcasting Station
Central People’s Broadcasting Station
Chinese Music Entertainment
Chinese Television
cultural nationalism
DVD Compilation
entertainment
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic minority representation
Greater China relations
Han majority discourse
Hao Ge
Harmonious Society
Hu Shan
Hunan Satellite Tv
Intangible Cultural Heritage
Lauren Gorf inkel
media studies
music
Music Entertainment Programmes
Music Entertainment Shows
Overseas Chinese
Pop Stars
PRC Mainland
programmes
Provincial Channels
Provincial Satellite Channels
Red Songs
state media analysis
Super Girl
televised music identity politics
Twelve Muqam
Uyghur People
Xinjiang Uyghur Autonomous Region
Young Man
Zhongguo Meng
Zhongguo Tong

Product details

  • ISBN 9781138782976
  • Weight: 660g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Nov 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines music entertainment programmes on China Central Television, China’s only national level television network, as well as on nationally-available provincial channels, exploring how such programmes project a nuanced image of China’s identity and position in the world. It shows how the images presented - primarily to domestic audiences - are in step with China’s party-state nationalism, and at the same time flexible and open to change as China’s circumstances change. The book contextualises identity construction in the media by examining the development of television in China and the political struggles between provincial and national television stations, as well as by foregrounding the historical and contemporary role of musical culture in China's nation-building project. It discusses the portrayal of the majority Han Chinese, and of ethnic minorities and their music, which, the author argues, are shown as fitting with the party-state rhetoric of “a unitary multi-ethnic state”. It also outlines how the Chinese of Greater China – Hong Kong, Taiwan, Macao and the overseas Chinese – are incorporated into a mainland centred Chinese identity. In addition, it shows how the performances of foreign personalities on the Chinese television stage emphasise foreigners' attraction to China, the uniqueness of the Chinese nation and Chinese civilisation, and the revitalised role of China in the world. Overall, the book demonstrates how the variations of Chinese identity fit with prevailing political ideologies in China and with the emerging theme of a China-centred world.

Lauren Gorfinkel is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University, Australia.

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