Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi

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A01=Xiaohuan Zhao
A01=Xioahuan Zhao
Author_Xiaohuan Zhao
Author_Xioahuan Zhao
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Fangxiangshi
Guan So
Han
Hungry Ghost
King Wu
Korean
Kun
Maudgalyayana
Miao
Miaohui
Ming Ying Wang
Mongolian
Mulian Story
National Library
Nuo
Peking
performance literature analysis
Precious Scroll
Puppet
Qiang
religious storytelling China
Ritual
ritual drama studies
ritual origins Chinese drama
Sectarian Scrolls
Shadowplay
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shamanic performance traditions
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Southern Drama
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temple festival rituals
Temple Theatre
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Transformation Text
Verse
Verse Lines
Vice Versa
Wang Guowei
xiqu performance history
Yangxi
Yuan
Yuan Zaju
Zheng Zhenduo
Zhong Kui

Product details

  • ISBN 9781138208100
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre.

With a view to evaluating the role of temple theatre in the development of xiqu or traditional Chinese theatre and drama from myth to ritual to ritual drama to drama, Volume One provides a panoramic perspective that allows every aspect of Nuoxi to be considered, not in the margins of xiqu but in and of itself. Thus, this volume traces xiqu history from its shamanic roots in exorcism rituals of Nuo to various forms of ritual and theatrical performance presented at temple fairs, during community and calendrical festivals or for ceremonial functions over the course of imperial history, and into the twenty-first century, followed by an exploration of the scriptural origins and oral traditions of Mulianxi, with pivotal forms and functions of Nuoxi and Mulian storytelling, examined, explicated and illustrated in association with the development of corresponding genres of Chines performance literature and performing arts.

This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion, and theatre.

Xiaohuan Zhao is Associate Professor of Chinese Literary and Theatre Studies at the University of Sydney.

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