Chinese Theatre Troupes in Southeast Asia

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A01=Beiyu Zhang
Author_Beiyu Zhang
Bangkok Chinatown
Category=AFKP
Category=ATD
Category=JBCC
Category=NHF
Category=NHTB
CCP.
Central Palace
Chaozhou opera history
Chen Jiageng
Children's Musicals
China's Song
Chinese Communities
Chinese Diaspora
Chinese diaspora theatre networks
Chinese theatre troupes
Cold War cultural exchange
Cosmopolitanism
Dialect Theatre
Diaspora
Diasporic Chinese
diasporic performance studies
Diasporic Tours
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Leftwing Film
Leftwing Filmmakers
Li Jinhui
Nanyang
Nanyang Chinese
Nationalism
Opera Films
postcolonial identity formation
Shaw Brothers
Singapore
Singapore's Nation Building
Southeast Asia
Southeast Asian performing arts
Straits Chinese
Street Opera
Thai Chinese
Thailand
Theatre Troupes
Transnational
transnational mobility
Vice Versa
Wembley Park
Young Man

Product details

  • ISBN 9781032013046
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A detailed account of the cultural history of the Chinese diaspora, with a focus on the performers and audiences who were involved in the making of Chinese performing cultures in Southeast Asia.

Focusing on five different kinds of theatre troupes from China and their respective travels in Singapore, Bangkok, Malaya and Hong Kong, Zhang examines their different travelling experiences and divergent cultural practices. She thus sheds light on how transnational mobility was embodied, practised and circumscribed in the course of troupes’ travelling, sojourning and interacting with diasporic communities. These troupes communicated diverse discourses and ideologies influenced by different social political movements in China, and these meanings were further altered by transmission.

By unpacking multiple ways of performing Chineseness that was determined by changing time-space constructions, this volume provides valuable insight for scholars of the Chinese Diaspora, Transnational History and Performing Arts in Asia.

Beiyu Zhang obtained her PhD from the History department at the National University of Singapore. She worked as Post-doctoral Fellow, funded by the Macau Talent Program at the University of Macau, from 2018 to 2020. Now she is affiliated with the Jinan University, Guangzhou. Her research interests include cultural history, Chinese diaspora, theatre and performances, and Cold War culture.

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