Chinese Tragedy of King Lear

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20th Century
A01=Nan Z. Da
adaptation
Asia
Author_Nan Z. Da
autofiction
canonical
Cao
Category=DSBH
Category=DSG
Category=NHF
Category=NHTB
Cavell
Century
Chen
Child
childhood
China
Chinese
Comedy
Communist
Cordelia
Cornwall
Country
creative writing
Crimes
Cultural
Daughters
Death
Deng
Edgar
Edmund
Entire
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evil
Extreme
Fall
Family
Fool
Generation
Goneril
Goneril regan
Government
Grandfather
Han
Hard
Harm
Heart
Historical
History
Human
interpretation
James
Joke
Justice
Kent
King Lear
Kingdom
Land
Lear
Learian
Lines
Literary Criticism
Literature
love.
Mao
Maoism
Matter
Memoir
Nature
Officials
Opera
Parents
parrhesia
Party
Plague
political theory
Power
prose
Regan
Renaissance
Revolution
Romance
Romantic
Shakespeare
Sound
Speech
Story
Student
theater
Thou
totalitarianism
Tragedy
translation
Truth
Wang
Worst
Xi
Yang

Product details

  • ISBN 9780691269160
  • Weight: 408g
  • Dimensions: 140 x 216mm
  • Publication Date: 10 Jun 2025
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
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A compelling new reading of The Tragedy of King Lear that finds parallels in twentieth-century Chinese history

At the start of Shakespeare’s famous tragedy, King Lear promises to divide his kingdom based on his daughters’ professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between The Tragedy of King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare’s tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China—what it did to people, and what it did to storytelling.

Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping’s Opening and Reform, then moves back and forth between Lear and China. In her powerful reading, the unfinished business of Maoism and other elements of Chinese thought and culture—from Confucianism to the spectacles of Peking Opera—help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind.

Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounters: Sino-US Literatures and the Limits of Exchange.

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