Chinese Wallpaper in Britain and Ireland

Regular price €43.99
17th seventeenth century
18th eighteenth century
A01=Emile de Bruijn
Age Group_Uncategorized
Age Group_Uncategorized
asian influence
Author_Emile de Bruijn
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Category1=Non-Fiction
Category=ABC
Category=ACBP
Category=AMKH
Category=AMKS
Category=AMR
Category=WCC
chinese style
chinoiserie
COP=United Kingdom
countess of castlemaine
decoration
Delivery_Delivery within 10-20 working days
designer
early-modern global product
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exotic
flower
high end interior
illustration
interior design
karel van mander prize
Language_English
national trust
oriental art
PA=Available
Price_€20 to €50
PS=Active
scholar
softlaunch
stylistic development
wanstead house
workshop

Product details

  • ISBN 9781781300732
  • Weight: 1420g
  • Dimensions: 230 x 280mm
  • Publication Date: 29 Nov 2018
  • Publisher: Philip Wilson Publishers Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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Nominated for the 2019 Karel van Mander prize, this lavishly illustrated overview showcases some of the most significant Chinese wallpapers surviving in the British Isles.

Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Europeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as ‘Chinese wallpaper’ were developed by Chinese painting workshops in response to western demand. A sophisticated synthesis of eastern and western art, Chinese wallpapers were an early-modern global product and they are still popular and influential today.

In spite of their spectacular beauty, Chinese wallpapers have not been studied in any depth until relatively recently. This book provides an overview of some of the most significant Chinese wallpapers surviving in the British Isles. Sumptuously illustrated, it shows how these wallpapers became a staple ingredient of high-end interiors while always retaining a touch of the exotic.

The book charts the stylistic development of Chinese wallpaper, allowing individual wallpapers to be more securely dated. It also touches on the China trade, the crucial role of the paper-hangers and the social significance of Chinese-style decoration in Britain.

This is a ground-breaking resource for both scholars and designers, as well as for anyone interested in historic interior design.

Emile de Bruijn studied Japanese and museology at the universities of Leiden and Essex. He worked in the Japanese and Chinese departments of the auctioneers Sotheby’s in London before joining the National Trust, where he is now a member of the central collections management team. Emile has lectured and published on many different aspects of chinoiserie in historic houses and gardens. He was a co-author (with Andrew Bush and Helen Clifford) of the catalogue Chinese Wallpaper in National Trust Houses (National Trust, 2014).