Choreographing Shakespeare

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A01=Elizabeth Klett
adaptation theory
Author_Elizabeth Klett
Balanchine
Ballet
Beijing Dance Academy
Birmingham Royal Ballet
Breakdance
Category=ATD
Category=ATQ
Category=DDA
Category=DSB
Choreography
Corps De Ballet
dance interpretation
Dance Works
Dark Lady
Drawing Back
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Galina Ulanova
Green Eyed Monster
Hamlet
hip-hop
history of choreographers
Houston Ballet
interdisciplinary theatre studies
Jacob's Pillow Dance Festival
Jacob’s Pillow Dance Festival
Lady Capulet
Le Corsaire
Lord Capulet
Macbeth
Mendelssohn's Incidental Music
Mendelssohn’s Incidental Music
modern dance
Moor's Pavane
Moor’s Pavane
movement analysis
Nureyev
Othello
Pas De Deux
performance studies
performing arts research
Prokofiev Score
Prokofiev's Music
Prokofiev’s Music
Rudolf Nureyev
Shakespeare's Late Romances
Shakespeare's poetic language
Shakespeare’s Late Romances
Sonnet Speaker
Sonnets
Tempest
Torso Side
translating literature into dance
Ya Chen
Young Man

Product details

  • ISBN 9780815375975
  • Weight: 330g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Oct 2019
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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Choreographing Shakespeare presents a hitherto unexplored history of the choreographers and performers who have created dance adaptations of Shakespeare.

This book investigates forty dance works in genres such as ballet, modern dance, and hip-hop, produced between 1940 and 2016 by choreographers in Britain, America, and Europe, all of which use Shakespeare’s plays and Sonnets as their source material. By combining scholarly analysis of these productions with practice-based conversations from six contemporary choreographers, Klett offers both breadth of coverage and in-depth analysis of how Shakespeare’s poetic language is translated into the usually wordless medium of dance, and shows exactly how these dance adaptations move beyond the Shakespearean texts to engage with musical and choreographic influences.

Ideal for students of Shakespeare and Dance Studies, Choreographing Shakespeare explores how dance adaptations strive to design legible and intelligible stories, while ultimately celebrating the beauty of pure movement.

Elizabeth Klett is Professor of Literature at the University of Houston – Clear Lake, USA. She is the author of Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece (2009), and numerous articles on adaptations of Shakespeare for theatre, dance, film, and television.

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