Church Music Through the Lens of Performance

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A01=Marcell Silva Steuernagel
Author_Marcell Silva Steuernagel
Category=AFKP
Category=AVL
Category=QRA
Category=QRM
Christian congregational music
church music scholarship
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnographic research
lens of performance theory
ritual activity

Product details

  • ISBN 9780367530709
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Sep 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world.

From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change.

This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.

Marcell Silva Steuernagel is Assistant Professor of Church Music and Director of the Master of Sacred Music Program at Southern Methodist University’s Perkins School of Theology, USA. Marcell writes at the intersection of church music, theology, musicology, and performance theory. He served as Minister of Worship, Arts and Communication at Redeemer Lutheran Church in Curitiba, Brazil, for more than a decade and is an internationally active composer and performer.

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