Cinema and Language Loss

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A01=Tijana Mamula
Asymbolic Aphasia
Attentive Recognition
Author_Tijana Mamula
Belle De Jour
Category=ATF
Category=CF
Category=DSA
Category=JBCT
Category=JBFH
Category=JBSL
Category=JHB
Category=NHTQ
Chien Andalou
Cinematic Sign
Dead Man
diaspora
director
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_history
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eq_non-fiction
eq_society-politics
exilic
Fi Gurative Discourse
Fi Lmic Image
film
filmmaking
Free Indirect Discourse
India Song
La Terra Trema
Language Loss
Le Ravissement De Lol
Linguistic Displacement
Linguistic Disturbance
migration
Pasolini's Theory
Pasolini’s Theory
Postwar Italian Cinema
Psychophysical Correspondences
ROMAN POLANSKI
Sans Soleil
Scarlet Street
Sensory Motor Link
Sunset Boulevard
visual
Visual Mimesis
Young Man

Product details

  • ISBN 9780415807180
  • Weight: 720g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Nov 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Cinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications.

Combining insights from psychoanalysis, philosophy and film theory, the author argues that the move from one linguistic environment to another profoundly destabilizes the subject’s relation to both language and reality, resulting in the search for a substitute for language in vision itself – a reversal, as it were, of speaking into seeing. The dynamics of this shift are particularly evident in the works of many displaced filmmakers, which often manifest a conflicted interaction between language and vision, and through this question the signifying potential, and the perceptual ambiguities, of cinema itself.

In tracing the encounter between cinema and language loss across a wide range of films – from Billy Wilder’s Sunset Boulevard to Chantal Akerman’s News from Home to Michael Haneke’s Caché – Mamula reevaluates the role of displacement in postwar Western film and makes an original contribution to film theory and philosophy based on a reconsideration of the place of language in our experience and understanding of cinema.

Tijana Mamula teaches Film Studies at John Cabot University in Rome, Italy.  

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