Cinema and the Origins of Literary Modernism

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A01=Andrew Shail
Author_Andrew Shail
avant-garde cultural history
Category=ATFA
Category=DSBH
Category=JBCT
Category=NH
Cinema
Continuous Present
Dead Man
early British film
Eliot
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female War Worker
Film
Film Discourse
influence of film on modernism
Joyce
Literary
literary temporality
Literature
Loose Collar
mass consciousness studies
Mass Mind
Modernism
modernist literature analysis
Motion Picture Story
Mrs Dalloway
Narrative Duration
narrative integration
Past Perfect Tense
Past Tense
Picture Theatres
Plot Duration
Plot Time
Pointed Roofs
Researcg
Scene Dissection
Set Return Date
St Thomas Aquinas
UK Film
UK Film Industry
UK Government's Decision
UK Government’s Decision
UK Player
Wandering Rocks
War Propaganda Bureau
Young Man

Product details

  • ISBN 9780415806992
  • Weight: 660g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Feb 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism.

Shail’s study draws on little-known sources to create a detailed picture of cinema following its ‘second birth’ as both institution and medium. The book presents a comprehensive account of how UK-based modernism originated as a consequence of—rather than a conscious aesthetic response to—this new component of the cultural landscape. Film’s new accounts of language, endeavor, time, collectivity and political change are first considered, then related to the patterns that comprised modernist texts. Authors discussed include Ford Madox Ford, Joseph Conrad, Wyndham Lewis, Ezra Pound, H.D., James Joyce, Virginia Woolf and Dorothy Richardson.

Andrew Shail is Lecturer in Film in the Department of English at Newcastle University, UK.

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