Cinema as Therapy

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A01=Joanna Dovalis
A01=John Izod
Author_Joanna Dovalis
Author_John Izod
Category=ATFA
Category=JBCT
Category=JMAF
Character's Individual Psychology
cinema
Counter Transference
Dead Man
Deep Heart's Core
emotional processing cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
Freud
Freudian theory application
Greg Mogenson
grief
grief therapy through movies
Human Suffering
Iron Gates
Jung
Jungian archetypes
Kieslowski's Films
La Stanza Del Figlio
Main Characters
Mid-life Transition
Midlife Transition
Million Dollar Baby
movie
Orphan Archetype
Pay Tv Service
Person's Individuation
Playful Creative Process
psychoanalysis
psychological film analysis
Solar Conscience
Son's Room
Sortes Virgilianae
symbolic loss studies
therapeutic film interpretation
therapy
Tightrope Walker
Trailer Park
Transformative Film
Trois Couleurs
Young Man

Product details

  • ISBN 9780415718677
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Jan 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Loss is an inescapable reality of life, and individuals need to develop a capacity to grieve in order to mature and live life to the full. Yet most western movie audiences live in cultures that do not value this necessary process and filmgoers finding themselves deeply moved by a particular film are often left wondering why. In Cinema as Therapy, John Izod and Joanna Dovalis set out to fill a gap in work on the conjunction of grief, therapy and cinema.

Looking at films including Million Dollar Baby, The Son’s Room, Birth and The Tree of Life, Cinema as Therapy offers an understanding of how deeply emotional life can be stirred at the movies. Izod and Dovalis note that cinema is a medium which engages people in a virtual dialogue with their own and their culture’s unconscious, more deeply than is commonly thought. By analysing the meaning of each film and the root cause of the particular losses featured, the authors demonstrate how our experiences in the movie theatre create an opportunity to prepare psychologically for the inevitable losses we must all eventually face. In recognising that the movie theatre shares symbolic features with both the church and the therapy room, the reader sees how it becomes a sacred space where people can encounter the archetypal and ease personal suffering through laughter or tears, without inhibition or fear, to reach a deeper understanding of themselves.

Cinema as Therapy will be essential reading for therapists, students and academics working in film studies and looking to engage with psychological studies in depth as well as filmgoers who want to explore their relationship with the screen. The book includes a glossary of Jungian and Freudian terms which enhances the clarity of the text and the understanding of the reader.

John Izod is Emeritus Professor of screen analysis at the University of Stirling. He has published several books, including Screen, Culture, Psyche: A Post-Jungian Approach to Working with the Audience (Routledge). Joanna Dovalis is a marriage and family therapist with a doctorate in clinical psychology, specialising in grief work. She works in private practice in southern California, USA.

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