Cinema Eye, Cinema Ear

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A01=John Russell Taylor
Alain Resnais
Alfred Hitchcock
Anger and After
auteur studies
Author_John Russell Taylor
Category=ATFB
Category=NHTB
cinematic authorship
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European directors
film theory
film-makers
Francois Truffaut
Frederico Fellini
French New Wave cinema
Ingmar Bergman
international cinema
Jen-Luc Godard
John Russell Taylor
Luis Bunuel
Michelangelo Antonioni
sixties cinema
sixties directors
sixties film
sixties international film movements
visual narrative analysis

Product details

  • ISBN 9780415726511
  • Weight: 740g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony.

The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Buñuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French ‘New Wave’, in particular François Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed.

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