Cinema in Muslim Societies

Regular price €64.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Ali Nobil Ahmad
Arab
Bangladeshi Cinema
Bhinneka Tunggal Ika
Category=ATF
Category=JBCT
Category=JBSR
Category=JHB
Category=JPWC
cinema
Cinema Halls
cinematic art
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist film theory
Film
Garin Nugroho
gender representation in film
Indonesian Cinema
Islam
Islamic film studies
ISSN
Iwan Fals
media
Middle East
Middle Eastern visual culture
Moon Dances
Muslim
Muslim Devotional
Muslim society
Muslim World
Muslim world political cinema research
Nacer Khemir
Op Cit
Palestinian Cinema
Palestinian Wedding
poetry
political violence
pornography
postcolonial cinema analysis
religious identity
religious identity in media
Salma Khadra Jayyusi
Samira Makhmalbaf
Senegalese Islam
South Asian Cinema
Stag Film
Third Text
Touki Bouki
Turkish Cinema
Women Film Makers
Young Man

Product details

  • ISBN 9781138106703
  • Weight: 340g
  • Dimensions: 189 x 246mm
  • Publication Date: 07 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors. Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts.

The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography. Debated extensively at a programme of public talks and screenings at the Institute of Contemporary Arts in London in 2011, this volume remains supremely relevant in a world of polarising identities and political violence engulfing Muslim societies and the West.

This book was originally published as a special issue of Third Text.

Ali Nobil Ahmad is a Fellow at the Zentrum Moderner Orient in Berlin, Germany, and Assistant Professor at the Lahore University of Management Sciences, Pakistan. He is a former editorial board member of the journal Third Text. In 2011, he co-curated Winds of Change, a programme of film screenings and talks about cinema and the Arab Spring at the Institute of Contemporary Arts in London, UK.