Cinema in the Cold War

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20th Century history
Aleksandr Fursenko
American cinema
American Communist Party
American cultural influence
Angry Young Men
Bernauer Strasse
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cinema
Cold War
Cold War cinema political analysis
Cold War History
Colin's Mother
Colin’s Mother
Communism
CPUSA
cross-cultural cinematic exchange
cultural transfers
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eq_history
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film industry
film propaganda
Gerd Rainer Horn
Grigorii Aleksandrov
Hollywood
Hollywood Ten
HUAC
ideological narratives
Konrad Wolf
Kurt Maetzig
Motion Picture Alliance
national identity formation
Polish Jewish Past
Polish Jewish Relations
Polish Tv
political conflict
political ideology
popular culture
propaganda
Respective Occupation Zones
SED
Sovetskii Ekran
Soviet film industry
Soviet Movie
Soviet Television
Soviet Union
Trybuna Ludu
West Germany
White Sun
Young Man

Product details

  • ISBN 9781138299894
  • Weight: 300g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Jan 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort.

It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.

Cyril Buffet is a historian specialising in international relations and German history. He is director of studies at SFiB (Berlin), Germany. He has taught at universities in France, Germany, and the UK, and has curated historical exhibitions and authored TV documentaries on a variety of cultural topics.