Cinema of Crushing Motherhood

Regular price €26.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Olivia Landry
Author_Olivia Landry
Category=ATFA
Category=JBSF1
Category=JBSF11
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9780252088957
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Oct 2025
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Breaking down recent films about the dark side of motherhood

Twenty-first century contemporary films like Emily Atef’s Das Fremde in mir and Savannah Leaf’s Earth Mama portray motherhood as a source of regret, exhaustion, rage, shame, guilt, and disgust. Olivia Landry analyzes this new feminist cinema and the ways it embraces and explores the crushing burden of mothering children. Landry surveys films released in North America, Europe, and Australia over a period beginning in 2007. As she shows, revelation and the expression of negative feelings upend the traditional image of the perfect, self-sacrificial, and happy mother.

Landry tracks how radical positions like maternal regret and family abolition have replaced age-old tropes while also going beyond portrayals of maternal ambivalence. Her feminist method casts off psychoanalysis and renounces pathological approaches to motherhood to show how a generation of filmmakers have insisted on the subjective position and experience of the mother rather than that of the child. Bold and groundbreaking, Cinema of Crushing Motherhood looks at taboo-breaking films and illuminates the emotions and affects that make them so powerful.

Olivia Landry is an associate professor of German and chair of Gender, Sexuality, and Women's Studies at Virginia Commonwealth University and the author of A Decolonizing Ear: Documentary Film Disrupts the Archive.

More from this author