Home » Cinema of Eisenstein
Product Image

Cinema of Eisenstein

David Bordwell
€50.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=David Bordwell
advanced film theory research
Alexander III
Alexander Nevsky
Author_David Bordwell
Battleship Potemkin
Bezhin Meadow
Category=ATFA
cinematic formalism
Cream Separator
Editing Unit
Eisenstein's Conception
Eisenstein's silent films
Eisenstein's Work
Eisenstein's Writings
Eisenstein’s Conception
Eisenstein’s Work
Eisenstein’s Writings
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film historiography
Intellectual Cinema
Katerina Izmailova
montage theory
Nep
Odessa Steps
Odessa Steps Sequence
Overtonal Montage
Part Iii
propaganda in film
Russian avant-garde cinema
Sensuous Thought
Sergei Eisenstein
Socialist realism
Socialist Realist Aesthetics
Soviet cinema
Soviet Film Theory
Soviet filmmakers
Soviet Montage Cinema
Vertical Montage
visual narrative analysis
Winter Palace
Young Director
Younger Man

Product details

  • ISBN 9780415973656
  • Weight: 280g
  • Dimensions: 178 x 254mm
  • Publication Date: 02 May 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
Description

The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin,Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.
About David Bordwell

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies in the Department of Communication at the University of Wisconsin, Madison. He has written several books on film theory, history, and criticism, including On the History of Film Style (Harvard, 1997) and TheClassical Hollywood Cinema: Film Style and Mode ofProduction to 1960 (with Janet Staiger and Kristin Thompson, Routledge/Columbia, 1985).

More from this author