Cinema of Federico Fellini

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Brothel
Brunello Rondi
Cabiria
Career
Caricature
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Cinema Italiano
Dino De Laurentiis
Dissolve (filmmaking)
Dubbing (filmmaking)
Ennio Flaiano
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Ettore Scola
Eumolpus
Evocation
Fantasy world
Federico Fellini
Fellini Satyricon
Fellini's Casanova
Film crew
Filmmaking
Giulietta Masina
I Vitelloni
Ibid (short story)
In the Life
Intervista
Italian neorealism
Italians
Juliet of the Spirits
La Dolce Vita
La Strada
Lilly Library
Literature
Luchino Visconti
Luigi Pirandello
Marlene Dietrich
Melodrama
Michelangelo Antonioni
Morte
Narration
Narrative
Narrative structure
Nino Rota
Parody
Peppino De Filippo
Pier Paolo Pasolini
Poetry
Popular culture
Priapus
Protagonist
Roberto Rossellini
Satire
Screenwriter
Sexual fantasy
Shooting script
Story within a story
Suggestion
Television in Italy
Testimonial
The Comic
The Other Hand
The Various
Tonino Guerra
Tullio Kezich
Tullio Pinelli
V.
Viewing (funeral)
Voice-over
Western culture

Product details

  • ISBN 9780691008752
  • Weight: 595g
  • Dimensions: 152 x 235mm
  • Publication Date: 05 May 1992
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work--and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.

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