Category=ATFB
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
Media & Cultural Studies
Product details
- ISBN 9780748697953
- Weight: 646g
- Dimensions: 156 x 234mm
- Publication Date: 08 Oct 2015
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
The Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos’ formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries. Refusing to restrict its approach to the confines of the Greek national film industry, the book approaches his work as representative of modernism more generally, and in particular of the modernist imperative to document its allusive historical objects through artistic innovation.
Retrospective in nature, The Cinema of Theo Angelopoulos argues that Angelopoulos’ films are not emblems of a bygone historical and cultural era or abstract exercises in artistic style, but are foreshadowing documents that speak to the political complexities and economic contradictions of the present.
Angelos Koutsourakis is Professor in Film and Cultural Studies at the Centre for World Cinemas and Digital Cultures, University of Leeds. He is the author of Kafkaesque Cinema (2024), Rethinking Brechtian Film Theory and Cinema (2018), Politics as Form in Lars von Trier (2013) and the co-editor of Cinema of Crisis: Film and Contemporary Europe (2020), and The Cinema of Theo Angelopoulos (2015). Mark Steven is a graduate student at the University of New South Wales. His major research project is titled “Red Modernism: Poetry, Communism, and the Anglo-American Avant-Garde.” He has published on literature, film, and philosophy, including the co-edited Styles of Extinction: Cormac McCarthy’s The Road.
