Cinema, Transnationalism, and Colonial India

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A01=Babli Sinha
anti-imperial activism
Author_Babli Sinha
bengal
Bengal Lancer
Black Watch
British Empire Films
Category=ATF
Category=GTM
Category=JBCT
Category=NH
cultural hybridity theory
Dhan Gopal Mukerji
Empire Films
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gallant Hearts
Ghadar Movement
girl
global modernity research
Griffith's Broken Blossoms
Griffith’s Broken Blossoms
Himansu Rai
ICC
imperial discourse analysis
indian
Indian Films
Indian Independence League
Lala Lajpat Rai
lancer
Military Expenditure
modern
Modern Girl
Mythological Films
orientalist representation
Passionate Love Scenes
Pearl White
postcolonial film studies
Raja Harischandra
river
sanders
Sharmistha Gooptu
South Asian Writers
Tamil Cinemas
transnational cinema networks in colonial era
wee
Wee Willie Winkie
willie
winkie
Young Men
Young Rajah

Product details

  • ISBN 9781138303010
  • Weight: 310g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism.

The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm.

Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.

Babli Sinha is Assistant Professor of English and Director of Media Studies at Kalamazoo College, USA. She is the editor of South Asian Transnationalisms: Cultural Exchange in the Twentieth Century (Routledge, 2011).

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