Cinematic City

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Bedford Falls
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blade
Blade Runner
Breakdown
Can
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Cinematic City
cinematic modernity
City Opposition
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False Mirrors
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Film Noir
film theory urban environments
Finger Man
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Held
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Leon's Photographs
mirrors
noir
Noir City
Piazza
Place
Post-war
Postmodern City
postmodern urbanism
Renegade Replicants
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Scandal Magazines
spatial theory cinema
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Tyrell Corporation
urban film studies
Vice Versa
visual culture research
Wo

Product details

  • ISBN 9780415127462
  • Weight: 560g
  • Dimensions: 189 x 246mm
  • Publication Date: 20 Mar 1997
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others.
The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film.
Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik

David Clarke is a Lecturer in Geography at the University of Leeds.