Cinematic Geopolitics

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11 politics
A01=Michael J. Shapiro
Aesthetic Comprehension
aesthetics of violence
Afghan Refugee Camps
Author_Michael J. Shapiro
cartography
Category=ATF
Category=JBCT
Category=JPA
Category=JPS
Category=JPWC
Category=QDTS
Chopin
Death Squads
Deer Hunt
Deer Hunter
Deleuze Ranciere influence
Dense
dirty
Dirty Pretty Things
Distant Front
documentary film analysis
El Playon
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Extended Generosity
Film Festival
film theory philosophy
Frears's Dirty Pretty Things
Frears’s Dirty Pretty Things
geopolitical aesthetics in contemporary film
guantanamo
Hiroshima Mon Amour
home
Kundera's Narrative
Kundera’s Narrative
Malick's Film
Malick’s Film
Medieval Iceland
Morris's Documentary
Morris’s Documentary
National Socialist Films
Peace Film
post-9
pretty
road
spatial representation cinema
Tertiary Spatialization
things
UN
video
violent
Violent Cartography
warner
Warner Home Video
Young Men

Product details

  • ISBN 9780415776363
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Oct 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon.

In this book, one of America's foremost theorists of culture and politics treats those aspects of the "geopolitical aesthetic" that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival’s, Michael J. Shapiro’s Cinematic Geopolitics analyzes the ways in which film festival space and both feature and documentary films function as counter-spaces to the contemporary "violent cartography" occasioned by governmental policy, especially the current "war on terror."

Influenced by the cinema-philosophy relationship developed by Gilles Deleuze and the politics of aesthetics thinking of Jacques Ranciere, the book’s chapters examines a range of films from established classics like the Deer Hunter and the Battle of Algiers to contemporary films such as Dirty Pretty Things and the Fog of War. Shapiro’s use of philosophical and theoretical works makes this cutting edge examination of film and politics essential reading for all students and scholars with an interest in film and politics.

Michael J. Shapiro is a Professor in the Department of Political Science, University of Hawaii at Manoa, USA. His research and teaching are in the areas of political theory, global politics and cultural studies. Among his publications are: Methods and Nations: Cultural Governance and the Indigenous Subject (Routledge, 2004) and Deforming American Political Thought: Ethnicity, Facticity and Genre (University Press of Kentucky, 2006).

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