Cinematic Representations of Women in Modern Celebrity Culture, 1900–1950

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Absent Wife
Alla Nazimova
avant-garde media analysis
Barbara Stanwyck
Blanche Sweet
Category=ATF
Category=JBSF1
Category=NHB
Category=NHTB
Classical Mexican Cinema
cross-cultural gender studies
Die Sinfonie Der
Dolores Del
Early Film Spectatorship
early twentieth century women in film
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist film theory
gender representation cinema
Independent Women
Italian Early Cinema
Italian Neorealist Cinema
Kanan Devi
La Llorona
La Malinche
Lady Eve
Lauren Bacall
Mae Marsh
Media History Digital Library
Mexican Cinema
Modern Celebrity Culture
Screwball Comedies
Tillie's Punctured Romance
Torres Bodet
Violate
visual culture studies
women filmmakers history
Young Man

Product details

  • ISBN 9781032004303
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The purpose of this edited volume is to explore the contributions of women to European, Mexican, American and Indian film industries during the years 1900 to 1950, an important period that signified the rise and consolidation of media technologies. Their pioneering work as film stars, writers, directors, designers and producers as well as their endeavors to bridge the gap between the avant-garde and mass culture are significant aspects of this collection. This intersection will be carefully nuanced through their cinematographic production, performances and artistic creations. Other distinctive features pertain to the interconnection of gender roles and moral values with ways of looking, which paves the way for realigning social and aesthetic conventions of femininity. Based on this thematic and diverse sociocultural context, this study has an international scope, their main audiences being scholars and graduate students that pursue to advance interdisciplinary research in the field of feminist theory, film, gender, media and avant-garde studies. Likewise, historians, art and literature specialists will find the content appealing to the degree that intermedial and cross-cultural approaches are presented.

María Cristina C. Mabrey is a retired Full Professor in the Department of Languages, Literatures and Cultures which includes foreign languages and Comparative Literature, and also affiliate faculty in the Women’s and Gender Studies Program, at the University of South Carolina.

Leticia Pérez Alonso is Assistant Professor in the Department of English, Modern Foreign Languages and Speech Communication at Jackson State University, and a past Fulbright and DAAD scholar.