Circulations in the Global History of Art
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american
art historiography methods
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Comparative Art
conceptual art networks
cultural
cultural transfer studies
Cyprian Kamil Norwid
East European Artists
East Indies
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Exhibition Catalogues
Gauguin
Georges Braque
Global Art History
globalisation of artistic practices
Gogh
gruzinski
Jagiellonian Dynasty
latin
Latin American Art
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Luis Camnitzer
Lukas Cranach
materialist historicism
michel
Military Juntas
Museu De Arte
Museu De Arte Moderna
Parisian Gallery
Paul Gauguin
Raphael Sadeler
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Serge Gruzinski
Shah Jahan
spatial translation theory
transcultural art exchange
transfer
Universal Art History
Vincent Van Gogh
West Germany
world
World Art History
Product details
- ISBN 9781472454560
- Weight: 640g
- Dimensions: 156 x 234mm
- Publication Date: 28 May 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.
Thomas DaCosta Kaufmann is Frederick Marquand Professor of Art and Archaeology, Princeton University, USA. Catherine Dossin is Associate Professor of Art History, Purdue University, USA. Béatrice Joyeux-Prunel is Associate Professor of Art History, École normale supérieure, France.
