Circus Bodies

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A01=Peta Tait
action
aerial
Aerial Action
Aerial Ballet
Aerial Body
Aerial History
Aerial Performance
aerialists
Author_Peta Tait
bar
Big Apple Circus
body
Category=AFKP
Category=ATD
Category=ATQ
Category=ATX
Category=JBCC
Category=NH
Circus Body
circus history research
Circus Skills
Cirque Du Soleil
corporeal identity
Difficult Tricks
Double Somersaults
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eq_bestseller
eq_history
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eq_isMigrated=2
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female
Female Aerialists
Female Flyers
Female Muscularity
feminist performance analysis
gender embodiment
gendered aerial performance analysis
Greatest Show
Iron Jaw
La Toria
male
Male Aerialists
Male Flyers
Merleau Ponty's Ideas
Merleau Ponty’s Ideas
performance
performance studies
performers
queer theory
Traditional Circus
trapeze
Trapeze Act
Trapeze Bar
Triple Somersault
Young Man

Product details

  • ISBN 9780415329385
  • Weight: 370g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Aug 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This pioneering study is one of the major publications in the increasingly popular and largely undocumented area of circus studies.

Through photographs and illustrations, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the socially changing ideas of muscular action in relation to our understanding of gender and sexuality. She questions how spectators see and enjoy aerial actions, and what cultural identities are presented by bodies in fast, physical aerial movement.

Adeptly locating aerial performance within the wider cultural history of bodies and their identities, Circus Bodies explores this subject through a range of films such as Trapeze (1956) and Wings of Desire (1987) and Tait also examines live performances including:

* the first trapeze performers: Léotard and the Hanlon Brothers
* female celebrities; Azella, Sanyeah, black French aerialist LaLa, the infamous Leona Dare, and the female human cannonballs
* twentieth-century gender benders; Barbette and Luisita Leers
* the Codonas, Concellos, Gaonas, Vazquez and Pages troupes
* imaginative aerial acts in Cirque de Soleil and Circus Oz productions.

This book will prove an invaluable resource for all students and scholars interested in this fascinating field.

Peta Tait is Professor of Theatre and Drama at La Trobe University, Australia. She is author of Performing Emotions: Gender, Bodies, Spaces in Chekhov’s Drama and Stanislavski’s theatre (2002) as well as books on gender identity in Australian theatre, and editor of Body Show/s (2000).

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