A01=Richard Lehan
american city
american literature
architecture
Author_Richard Lehan
bram stoker
british literature
capitalism
Category=DS
Category=DSB
Category=DSK
Category=JBCC9
charles dickens
daniel defoe
detective narrative
early novel
economics
emile zola
english novel
enlightenment legacy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
european city
f scott fitzgerald
fantasy literature
james joyce
joseph conrad
literary studies
literature
modernism
philosophy
rationalism
raymond chandler
rider haggard
theodore dreiser
urban life
urban studies
urbanism
western literature
Product details
- ISBN 9780520212565
- Weight: 544g
- Dimensions: 152 x 229mm
- Publication Date: 01 Apr 1998
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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This sweeping literary encounter with the Western idea of the city moves from the early novel in England to the apocalyptic cityscapes of Thomas Pynchon. Along the way, Richard Lehan gathers a rich entourage that includes Daniel Defoe, Charles Dickens, Emile Zola, Bram Stoker, Rider Haggard, Joseph Conrad, James Joyce, Theodore Dreiser, F. Scott Fitzgerald, and Raymond Chandler. The European city is read against the decline of feudalism and the rise of empire and totalitarianism; the American city against the phenomenon of the wilderness, the frontier, and the rise of the megalopolis and the decentered, discontinuous city that followed. Throughout this book, Lehan pursues a dialectic of order and disorder, of cities seeking to impose their presence on the surrounding chaos. Rooted in Enlightenment yearnings for reason, his journey goes from east to west, from Europe to America. In the United States, the movement is also westward and terminates in Los Angeles, a kind of land's end of the imagination, in Lehan's words. He charts a narrative continuum full of constructs that 'represent' a cycle of hope and despair, of historical optimism and pessimism.
Lehan presents sharply etched portrayals of the correlation between rationalism and capitalism; of the rise of the city, the decline of the landed estate, and the formation of the gothic; and of the emergence of the city and the appearance of other genres such as detective narrative and fantasy literature. He also mines disciplines such as urban studies, architecture, economics, and philosophy, uncovering material that makes his study a lively read not only for those interested in literature, but for anyone intrigued by the meanings and mysteries of urban life.
Richard Lehan is Professor of English at the University of California, Los Angeles. His books include The Great Gatsby: The Limits of Wonder (1990).
