City of Beginnings

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A01=Robyn Creswell
Abu Nuwas
Abu Tammam
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Allegory
Ameen Rihani
American poetry
American University of Beirut
Anecdote
Arabic literature
Arabic poetry
Arabs
Author_Robyn Creswell
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Cambridge University Press
Category1=Non-Fiction
Category=DC
Category=DSBH
Category=DSC
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Category=NHG
Charles Baudelaire
Charles Malik
Comparative literature
COP=United States
Criticism
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Edward Said
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eq_non-fiction
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Evocation
Ezra Pound
Franco Moretti
Frantz Fanon
Genre
Ideology
Individualism
Iranian Revolution
Irony
Jabra Ibrahim Jabra
Kahlil Gibran
Language_English
Late modernism
Lecture
Literary modernism
Literature
Long poem
Manifesto
Modernism
Modernist poetry
Modernity
Narrative
Nasserism
Newspaper
Novelist
Octavio Paz
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Pan-Arabism
Parochialism
Philology
Philosophy
Poet
Poetic tradition
Poetry
Polemic
Politics
Price_€20 to €50
Prose
Prose poetry
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Publication
Rhetoric
Ruhollah Khomeini
S. (Dorst novel)
Saint-John Perse
Sensibility
Shia Islam
softlaunch
Stanza
Supporter
Symptom
Syrian Social Nationalist Party
The Other Hand
Thought
Umayyad Caliphate
World literature
World War II
Writer
Writing

Product details

  • ISBN 9780691264769
  • Dimensions: 156 x 235mm
  • Publication Date: 28 Jan 2025
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond

City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.

Robyn Creswell is assistant professor of comparative literature at Yale University and a former poetry editor at the Paris Review. His writings have appeared in the New Yorker, the New York Review of Books, and Harper’s Magazine, among many other publications. He is the translator of Abdelfattah Kilito’s The Tongue of Adam and Sonallah Ibrahim’s “That Smell” and “Notes from Prison."