City Rehearsed

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A01=Christopher Heuer
architectural
architectural print culture
art historiography
Author_Christopher Heuer
Aux Quatre Vents
Avery Architectural
Bruegel's Landscapes
Category=AMX
City Rehearsed
cock
Coecke Van Aelst
Daniel Specklin
Du Cerceau
early modern urbanism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fine Arts Library
gerard
Gerard De Jode
hans
Hans Vredeman De
Hans Vredeman De Vries
Henri III
hieronymus
Hieronymus Cock
jode
lucas
Lucas Van Doetecum
Netherlandish polymaths
Ornament Prints
painting
Pieter Bruegel
Pieter Saenredam
print architecture influence Europe
Renaissance perspective theory
Royal Academy
Sixteenth Century Contemporaries
Town Hall
Van Aelst
Van Parys
Viewpoint
visual culture studies
vredeman
Vredeman De Vries
vries

Product details

  • ISBN 9780415433068
  • Weight: 740g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Dec 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The City Rehearsed offers an entirely new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It probes the geographical encounters of dozens of engravings with contemporary texts on architecture, theatre, urbanism, art collecting, even ethnography.

The Netherlandish polymath Hans Vredeman de Vries (1526-1609) devoted his entire career to the production of imaginary architecture. Painter, architect, rhetorician, perspective theorist, festival designer, and draughtsman, Vredeman was active in Antwerp, Amsterdam, and Prague, where he designed a mysterious body of architectural prints, works which by the seventeenth century had influenced buildings from Tallinn to Peru. Including Scenographiae (1560), and Perspective (1604-5), Vredeman’s strange publications were among the most widely-distributed "Renaissance" books on building and vision, shipped to England, Spain and even Mexico by 1600.

This book, the first sustained study of Vredeman in English, shifts the focus of inquiry to look at the active role his prints played in the life of urban readers outside of a narrowly-defined "Flemish" architectural history. This is a study with clear interest for historians of art and the built environment, and one with broader contemporary resonances for changing definitions of "European" culture and identity in the present day.

Christopher P. Heuer is Assistant Professor in the Department of Art and Archaeology at Princeton University.

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