Claes Oldenburg's Theater of Vision

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A01=Nadja Rottner
American art
artist
Author_Nadja Rottner
camera
Category=AB
Category=AFKB
Category=AFKP
Category=AGA
Category=ATD
Category=ATF
Category=DC
Category=DS
Category=JBCT
Category=NH
concrete poetry analysis
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
experimental film history
George Lakoff
Happenings
intermedia art
intermediality
Lower East Side
machine vision in contemporary art
Mark Johnson
media
metaphor
modern art
New York City
performance theory
philosophy
pop art
pop art historiography
postwar
Ray Gun
technology
United States
Vilem Flusser
visual culture studies

Product details

  • ISBN 9781032449883
  • Weight: 860g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Nov 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965.

This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years.

The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.

Nadja Rottner is Associate Professor of Art History at the University of Michigan-Dearborn.

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