Classic and Creativity

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A01=Jiang Zhuyu
adaptation studies
Author_Jiang Zhuyu
Category=DSA
Category=GTM
Comparative Literature
comparative poetics
dialectics of classic and innovation
East West literary studies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
intertextual analysis
literary criticism theory
Literary Theory
poetry interpretation
World Literature

Product details

  • ISBN 9781041102311
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Sep 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the complex, dialectical interplay between the classic and creativity through a unique comparative lens that bridges Chinese and Western literary traditions.

The interplay between the classic and creativity has been a fundamental question in literary criticism, although readers may be more familiar with discussions from the Western literary tradition, such as T. S. Eliot's seminal essay "Tradition and the Individual Talent." In this comparative study, the author examines the parallel discussions in both Chinese and Western literary traditions, highlighting the inherently dialectical relationship between classics and creativity. She introduces the rich traditions of poetry and poetics from ancient China to modern times; equally illuminating is her commentary on Western literary critics such as Alexander Pope, William Wordsworth, T. S. Eliot and Oscar Wilde. Her engagement with literary works such as Shakespeare's The Tempest and the Book of Poetry, and with literary practices such as adaptation and commentary, is also remarkable, as she addresses the contemporary challenges of studying the classics in an age of world literature.

Clear and accessible, this work in East-West comparative poetics will be valuable to scholars and students of literary theory, comparative literature and world literature.

Jiang Zhuyu is an associate professor at the Faculty of English Language and Culture and a researcher at the Institute of Hermeneutic studies at Guangdong University of Foreign Studies, China. Her research interest includes comparative poetics and art history.

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