20th century art history
20th century fashion history
20th century music history
A01=Mary E. Davis
amedee ozenfant
art
Author_Mary E. Davis
ballets russes
Category=AB
Category=AGA
Category=JBCC
coco chanel
entertainment industry
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
erik satie
fashion
fashion and clothing
fashion photography
fashion plates
germaine bongard
high fashion
igor stravinsky
interdisciplinary
jean cocteau
la gazette du bon ton
leon bakst
les six
modernism
modernity
music
neoclassicism
originality
pablo picasso
paul poiret
retrospective
sound and style
transatlantic modernism
vanity fair
vogue
Product details
- ISBN 9780520256217
- Weight: 590g
- Dimensions: 152 x 229mm
- Publication Date: 13 May 2008
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century - a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers - Paul Poiret, Germaine Bongard, and Coco Chanel - and three breakthrough fashion magazines - La Gazette du Bon Ton, Vanity Fair, and Vogue - Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six.
She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Leon Bakst, writer and director Jean Cocteau, Amedee Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis' focus on the social aspects of the story makes the book a tremendously engaging read.
Mary E. Davis is Associate Professor in the Department of Music at Case Western Reserve University.
